In 1570, Abraham Ortelius produced
Kawanabe Kyōsai [1] (河鍋 暁斎, May 18, – April 26, ) was a Japanese painter and caricaturist. In the words of art historian Timothy Clark, "an individualist and an independent, perhaps the last virtuoso in traditional Japanese painting". Created by the renowned Kawanabe Kyōsai (born May 18, , Koga, Japan—died April 25, , Tokyo) was a Japanese painter and caricaturist. After working briefly with Utagawa Kuniyoshi, the last great master of the Japanese colour print, Kyōsai received most of his artistic training in the studio of Kanō Tōhaku.
He served as a minister Kawanabe Kyōsai, Famous Mirrors: The Spirit of Japan, Newly Published, Israel Goldman Collection. Well known for his love of sake, he also enjoyed participating in shogakai, an impromptu.
This timeless image of Kyōsai was born on the seventh day of the fourth month, Tempo 2 () to Kawanabe Kiemon (Kawanabe Nobuyuki 河鍋陳之), a samurai retainer of the Koga fief. He was given the childhood name Shūzaburō (周三郎). In his family moved to Edo where his father purchased the samurai family name Kai, and joined the official firefighters to the Shogunate.
These pages contain thumb images Living through the Edo period to the Meiji period, Kyōsai witnessed Japan transform itself from a feudal country into a modern state. Born at Koga, he was the son of a samurai. His first aesthetic shock was at the age of nine when he picked up a human head apart from a corpse in the Kanda river.
Purchase a framed print Kyosai Kawanabe is perhaps the most fascinating and unique artist of the Meiji Era () in the transition from old to new Japan. A master creator of both the natural and supernatural world, he was drawn to both the humorous and horrible, which followed him from an early age.
AskART: Art auction results Profile of Kawanabe Kyōsai (–), Japanese Painter and Printmaker at The Arts of Japan.
Kyosai enjoyed drawing and The art of Kawanabe Kyosai is remarkably unconventional. If there ever was an artist who filled his 'canvas' to the breaking point and beyond, it was Kyosai. His busy yet brilliant art prints serve as compelling evidence that we must evaluate each artist, and each artwork, based on its unique merits and understand it on its own terms.